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It also doesn’t change what I love about Casino, The Conversation and Cathy Come Home. Frankly, it just makes the three of them a little diminished in my eyes, a little lacking in class to throw unnecessary shade across the bow of the efforts of fellow industry creatives.īut beyond that, what they’ve said doesn’t affect me, it shouldn’t affect you, and it doesn’t change what I love about Spider-Man, Guardians of the Galaxy, Doctor Strange or The Avengers. are saying, it’s that it all feels a little churlish to undermine that work. Of course I recognise that they are part of the larger corporate design, but that doesn’t mean the creatives aren’t doing their best work within that environment.Īnd if I have some criticism of what Scorsese et al. I don’t want all movies to be Marvel movies, but they have a place in the world that fits just fine with my sensibilities (and clearly those of many others). I think the Marvel movies, some fair, some good and some downright amazing, constitute a bold, incredible experiment in long-form narrative, told with passion and love for the source material by creators who care about making the best in escapist entertainment. Scorsese, Coppola and Loach have worked long and hard in the film industry and produced an incredible body of work and now they’re all of a certain age and they’re perfectly entitled to their opinions, no matter how grouchy.īut those opinions don’t affect my love for what I consider to be far more than just churned-out fare from the Hollywood factory. I mean look, these three directors have made some genuinely amazing movies between them, undeniable classics of cinema, including Raging Bull, Goodfellas, The Godfather, Apocalypse Now, Kes and I, Daniel Blake. So… Martin Scorsese, Francis Ford Coppola, Ken Loach and Marvel movies.Ī lot of people have been asking me if I’m angry at the disparaging comments from these revered directors, about Marvel films not being “cinema”, seeing as I’m such a fan of the studio’s output.Īnd my response to this? Well, actually… not in the slightest.
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Expect Dune to follow suit shortly and shift from its current Christmas Day release slot.Ģ020 is destined to be a terrible year for cinemas, so let’s hope things begin to improve in the new year…
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Wonder Woman 1984 and Black Widow had already delayed their early October and early November releases, respectively, so this latest delay is frustrating but not really surprising.
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We understand the delay will be disappointing to our fans but we now look forward to sharing No Time To Die next year,” says the official statement. “MGM, Universal and Bond producers, Michael G Wilson and Barbara Broccoli, today announced the release of No Time To Die, the 25th film in the James Bond series, will be delayed until 2 April in order to be seen by a worldwide theatrical audience. MGM, Eon Productions and Universal were determined to make the November release, but it’s likely the solid but not spectacular box office take of Warner Bros.’ Tenet, along with the ongoing worldwide problems at the hands of Covid-19, have convinced the studios that Bond would need to cool his heels. Originally slated to release back in April, the final outing for Daniel Craig’s secret agent will now see the light of day on April 21st, 2021, just over a year later. With the tedious inevitability of an unloved season (there’s one for long time Bond fans), No Time To Die, the 25th film in the James Bond franchise, has seen its November release pushed back for a second time.